The AI on the Lot conference, held in Hollywood, logged nearly 2,500 attendees this year, up from roughly 600 when it launched in 2023 — a growth curve that the tech side of the entertainment industry has been happy to cite as proof of momentum. Whether momentum and adoption are the same thing is a question the conference did not fully resolve.

Speakers representing studios, platforms, and AI developers — Amazon among the prominent names on the program — made the familiar case that artificial intelligence would accelerate production, reduce costs, and open creative possibilities previously priced out of reach for smaller projects. The tone, as reported by Deadline, was predominantly optimistic, occasionally evangelical.

What the ballroom could not quite paper over was the persistent skepticism outside it. Writers, editors, visual effects artists, and their unions have spent the better part of three years negotiating, striking, and lobbying over precisely the tools being celebrated onstage. Concerns about residuals, credit, consent, and the wholesale replacement of mid-level craft jobs did not disappear because attendance figures doubled and then doubled again.

The conference has become a reliable annual barometer of where the industry's money is pointed — which is toward AI — and where its workforce trust is pointed, which is somewhere considerably more cautious. The distance between those two readings is the actual story, and it is not closing at the same pace as the attendance numbers.

AI on the Lot will presumably return next year with another impressive headcount and another round of qualified applause. The follow-up writes itself. Nobody greenlit it.