Ted McGinley, whose television credits span nearly five decades and include recurring roles on Happy Days, The Love Boat, and nine seasons of Married With Children, told Page Six this week that the residual checks produced by that body of work had accumulated into a stack — and that the stack added up to very little.
McGinley did not specify a single total figure in the Page Six report, but characterized the cumulative amount as shockingly low given the volume of the work and the continued circulation of the programs across broadcast and streaming platforms.
The mechanics are not unusual. Under standard SAG-AFTRA residuals formulas, rerun and streaming payments can reduce to fractions of a cent per play per performer by the time a series moves through secondary licensing windows. A performer with significant screen time in a long-running network show can, in theory, receive a check for less than the cost of the stamp used to mail it.
McGinley's name became tabloid shorthand in the 1980s and 1990s for the phenomenon of the “show killer” — the new cast addition whose arrival correlated with declining ratings — a reputation the actor has addressed in interviews over the years with apparent good humor.
The checks, Page Six noted, were real. The amounts, less so.